Hot Off The Drawing Board: A Haunting Panel

David is hard at work on finished artwork for Don't Forget This Song. This panel, from the second chapter of the book, leapt out at me as I scanned the artwork today. The unusual angle creates a haunting mood, which is supported by the lush woods that surround the simple cabin, as young A.P. Carter approaches on horseback.

I can't wait to get started coloring these new pages, but I had to share this panel with you hot off the drawing board. It's a beaut!

And Now For Something Completely Different: Our Oregon Trail Graphic Novel!

Hi folks... while we were in legal purgatory over the use of song lyrics in DON'T FORGET THIS SONG (a chess-game of attrition that we ultimately lost), David and I were not goofing off. We decided to tackle a smaller (i.e., non-color) graphic novel. We're pleased to finally announce it here. (I would have posted this earlier, had I not been stricken with appendicitis, from which I'm still recovering.)

This is a page from local publisher Sasquatch Press' Fall 2011 catalog for our book, Oregon Trail: The Road of Destiny. The cover they chose is a curious hybrid of a rejected earlier illustration and their overall design for the cover. Here's what the real cover looks like:

I'm amused to be listed as "co-creator of Comics Journal." I was the managing editor of the magazine, 20 years ago, but there had been over 140 issues before I put in my stint. I'm sure this will cause some amusing questions in interviews!

David and I are really happy with this book. We both strove to keep its story vivid, real and humane. We both did a great deal of visual and factual research for the project. When I wrote the script, I concentrated on the down-to-earth, flesh-and-blood reality of what this trip must have been like for those who took it.

David outdid himself on the artwork. He brought all the humanity of the story front and center, and helped broaden the book's emotional range. There are some genuinely funny moments--and some heart-breaking pitfalls--throughout the book. Everything David put into this project was graceful, assured and sympathetic.

We're back at work on Don't Forget This Song, and hope to FINALLY have the book finished this year. The Road to Destiny will end up being our first published graphic novel. We often referred to it as "our little B-movie" while we worked on it. We couldn't dazzle the reader with fancy full color. Our hook had to be in our story and our characters.

This book is at the printers, and should be released around the end of August, 2011. You can see the ISBN number on the catalog page. Check in with amazon.com as this month comes to a close.

Here are four random pages from the book, so that you can have a preview of David's superb work:

We'll post updates as we learn of the book's availability. Now, back to our full-color "A-picture..."

Johnny Cash and the Popemobile

Recently I (David) was in Portland for the Stumptown Comics Fest, and was lucky enough to meet and have lunch with documentary filmmaker and all-around nice person, Beth Harrington. You may be familiar with her excellent film about the women of rockabilly, Welcome to the Club. Beth is currently at work on a documentary about the Carter Family! As you might imagine, we had a lot to talk about, especially our love of the Carters' music.

She interviewed me for her Winding Stream blog, and in return allowed me to interview her...

What is the name of your project?

The film is called The Winding Stream and its subtitle is “The Carters, the Cashes and the Course of Country Music.”

How long have you been working on it?

I first had the idea for the film in early 2001. I’d just finished a film about women rockabilly singers and Rosanne Cash had narrated it. It went really well and Rosanne seemed very happy with the association. I’d been thinking of asking Rosanne if she’d introduce me to family members and participate in a film about the Carters and Cashes. And just as I was about to ask her, she emailed me and said she’d been down at the Carter Fold in Virginia with her father and June and the whole time she was there she was thinking, “Beth should be here making a film about this.” And I said, “Funny you should mention it…”

So I started doing development work, researching the subject, applying for grants and the like. But we didn’t actually start shooting until 2003. So this is either the 10^th year of the film if you count pre-production or the 8^th year if you go from when we started shooting. But either way it’s been a long time. Funding’s been the big hurdle. And remains so. But we’ve gotten an amazing amount of work done considering how little money we’ve had to work with. People have been very generous with their time and talent in this project. And we’re grateful for grants we’ve received from the Virginia Foundation for the Humanities and the Faerie Godmother Fund. And our recent Kickstarter campaign really put us back into action again. So that’s been great.

So, just what is it about the Carter Family?

For me, it’s about two things:

1) The incredible canon of music they preserved and developed and interpreted, a huge piece of our cultural heritage. Sara’s voice, Maybelle’s innovative guitar work, A.P.’s obsessive song collecting and arranging. Where would we be without these three and their contribution to American music?

2) The human drama of one family that threads itself through most of the last century of American music. The Carters (and their progeny) really are a winding stream flowing through all sorts of genres. I mean, you have Beck doing Carter music and you have Elvis doing Carter music and you have Flatt and Scruggs doing Carter music and you have Joan Baez doing Carter music and you have Those Darlins doing Carter music. Amazing appeal.

Frank and I have spent our time sitting in a little room for much of our production process. I’m envious that you get to go out and see places and meet people. Do you have an anecdote or two you can share from the making of your film?

To this day, the biggest thrill of the film was meeting and interviewing Johnny Cash. He was incredibly kind to us and happy to talk about June and her family. Of course, this was also a difficult time for him. June had died only a few months earlier and he was very ill himself. He died only a few weeks later in fact. But he was very engaged and funny and intense, too.

He came into the living room where we’d set up via an elevator that had been added to their home. So it was the size of a phone booth and it came down from the corner of the ceiling into the living room. John Carter Cash had warned me about this (our camera was set-up under it!) I guess there’d been mishaps before where things got crushed.

Anyway, at the appointed time, Johnny Cash comes down, seemingly from the heavens! And he’s in a phone booth that is opaque at the bottom and has a painted folk art picture of June on the side. And he’s waving at us as he comes down. And my crew and I are just gleeful! It’s Johnny Cash! It’s Johnny Cash! And he’s laughing and we’re laughing and it’s just great.

He gave us a tremendous interview and after he’s done he shakes hands with all of us and then says, “Well, gonna go back into the Popemobile now.” And he gets back in and ascends into heaven. Or at least the third story of their house. And as a former Catholic school girl I couldn’t resist. I made the sign of the cross in the manner of a pope as the Man in Black disappears above our heads. And the last thing I saw was him reacting, throwing back his head laughing and slapping his knee. It was a great moment.

Another great moment in the film was spending time with Ms. Janette Carter. What an amazing woman. Such strength of character and such vision. To hear her talk about her father, A.P. Carter and the love and admiration she had for him. When A.P. tells her “Janette, I want you to carry on the music” and she says “Daddy, I will try.” Well, she didn’t just try. She decided the fulfillment of that promise was to build a music venue and have live traditional music every Saturday night for decades! A.P. could never have imagined such dedication. I was blown away by this lady.

Do you have a favorite Carter Family song?

Well, I do love “The Winding Stream” and especially since we shot a really nice version of Rosanne Cash performing it for the film. But I’m also partial to “Diamond in the Rough.” Also “Anchored in Love.” And then there’s….ok, I’ll stop now.

Another Chapter in Our Efforts: Sara and A. P. Carter Meet

Here is the third chapter of "Don't Forget This Song," in living color. In this chapter, our two main characters, A.P. Carter and Sara Dougherty (soon to become Mrs. Carter) have their first meeting. Click on the thumbnails to enlarge the pages. We hope you enjoy this further glimpse into our project...

Some New Pages To Share, Pt. 1: the birth of Gladys

We are delighted, after a long period of struggle, to be back on track with our graphic novel project. In this and future posts, we'll share new work with you.

Here is a self-contained one-page chapter that chronicles an important day in the history of the Carter Family. We hope you enjoy it. There will be more soon!

Click to enlarge and view in a new window...

Happy New Year, Folks! We're Back At Work...

It's been ages since our last post here. 2010 was a tough year for the DON'T FORGET THIS SONG project. After numerous attempts to negotiate with Peermusic for lyrics usage, we finally opted not to include significant quotes from the Carter Family's songs.

The history of A. P. Carter's songs is complex and tangled. Scholars and fans quibble over who exactly owns what (or who should own what). Ralph Peer's original copyrights of 1927-1941, some of which have been proven patently false, still hold, and there's nothing we can do about that, except to move on.

This was a tough call, and it required an extensive re-tooling of our script. But the book is fine without the lengthy lyrics quotes.

We still have a lot of hard work ahead of us, but the book is in production again. Once we've gotten a chunk of new work finished, we'll post some samples here. Thanks for not forgetting us--and we admit it has been a long, long time!

We're Still Alive and Kicking!

Hi folks,

Long time, no update. We've been bogged down in legal negotiations with Peermusic. The process of obtaining the rights to quote from Carter Family song lyrics has been a lengthy one, fraught with delays galore.

We've been revising the book, with some invaluable informational help from Rita Forrester and Flo Wolfe. I think our book will have some historical "scoops" that haven't appeared elsewhere!

The book is looking good, overall. Once we've cleared up all the legal roadblocks, and feel we can proceed without worry or question, we'll be back on track. The delays have been frustrating, but in that time, we've been able to make the project better and stronger than it was before.

We hope to have more updates here, as this project is once again among the living. Thanks for your patience and for your continued interest...